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The 1990 TV movie changed the entire mystical King mythology into a creature with many forms instead of a demon. When the Losers fight It again as adults, the demon tells them that Maturin choked to death on another galaxy. This Other was a force beyond the universe, a power beyond all other power, the author of all there was. This Final Other was, perhaps, the creator of the Turtle, which only watched, and It, which only ate. The Turtle spoke in Bill’s head, and Bill understood somehow that there was yet Another, and that Final Other dwelt in a void beyond this one. In order to defeat It, the Losers have to enact the Ritual of Chüd, a psychic battle they learn from Maturin. Maturin the turtle created the universe, and It opposes all that’s good in the world.
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It connects briefly to King’s Dark Tower series when the Losers meet Maturin, the godlike turtle that tells them the evil they call It is really a Satan analog. The strange, undefined “smokehole” scene is what probably won’t work in a modern adaptation. Now, understanding that the evil entity in It isn’t just a creepy clown, but a sprawling, ancient demon whose existence traces back to the creation of the Earth, is pretty important to the plot. He had given “a huh-huh-hell of a yuh-yank” and Richie had come flying out of the gloom, only about one-quarter conscious. At last Bill had gripped a hand - Richie’s. They had gone plunging around in the smoky clubhouse, panicked, scared that if they didn’t act quickly the two boys might die of smoke poisoning. Eventually, Mike and Richie are the only ones left, and they experience a vision of It as an ancient, horrific evil feeding off the town of Derry.
The Losers build a smokehole, the 50s version of hotboxing, and everybody climbs inside. The plan they come up with is this: Ben learns at the library that Native American tribes sometimes used smoke to hallucinate and find truth.
They do some research, but without the internet (the novel is set in the late-1950s) they’re unable to determine exactly what It is exactly. Halfway through the It novel, the Loser Club finds itself at a loss when trying to figure out exactly what their demon pursuer is. We’ve ranked them below, from the least disturbing and problematic to the most uncomfortable.Ĥ. The 1990 ABC mini-series starring Tim Curry ignored the following four disturbing elements of the novel, and it’s likely that 2017’s adaptation will follow suit. Because the book was written during a difficult time for the author, there are several scenes that probably won’t translate well in a film adaptation. It’s no coincidence that It was written during the height of King’s self-destructive path towards death, and he often mentions it when discussing his path to sobriety. “It” - what King’s “Loser Club” of awkward teens call the demon haunting them - is a spiritual parasite, tainting all their positive memories and eating them alive from the inside. His struggles with alcoholism and guilt are most present in 1977’s The Shining, though the hallucinatory, violent loss of innocence in It feels like it could easily have been written by a tortured man. It was first published in 1986, just a few years before King’s family staged an intervention, pleading with the prolific author to get help for his alcoholism.
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Similar to his 1982 novella The Body, It is King’s ode to adventurous teens, and it’s full of violent sexual imagery which he largely abandoned in later works. The novel contains his definitive depiction of Derry, Maine, his fictional analog for the actual town of Bangor, and sets up the horrific vision of small-town Maine which he returned to in Bag of Bones, Insomnia, and Dreamcatcher. S tephen King’s It remains one of his most disturbing and sprawling novels.
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